Mary Vernon

Vymura

Listing No: 11784

Other Images

  • CVERM-13506b aa.jpg
  • CVERM-13506b sig-verso.jpg
  • CVERM-13506b verso.jpg

My Rooms

Offered By

Valley House Gallery

Dallas, TX

Valley House Gallery

6616 Spring Valley Road

Dallas, TX 75254

972-239-2441
[email protected]

Please have the item listing number on hand when you call. This artwork's listing number is: 11784

Artwork Info

FAE Listing No:
11784
Artist:
Mary Vernon (1942-)
Title:
Vymura
Date of Work:
2006
Signature:
Mary Vernon
Signature Notes:
on verso
Where Produced:
Dallas, Texas, TX, USA
Presentation:
Unframed

Artwork Medium

Type:
Painting
Sub Type:
Easel
Medium:
Oil
Support:
on Masonite Panel

Artwork Size & Weight

Primary:
30 x 30 in
Size Notes:
Primary Artwork Size is painting size.

Artwork Surface

Texture:
Flat

Artwork Condition

Condition:
Excellent.

Artwork Provenance

Collection:
John Dowdall
Provenance:
Directly from the John Dowdall collection.

About this Piece

Of her style, Vernon says, "In the world of still life and landscape, conceptual events meet one another - the structural meets the narrative, the small stands in the space of the large, and color has a chance to navigate these meetings, changing everything. All my paintings show this shifting world."

About the Artist

In 2017, Dallas-based artist Mary Vernon finished her 50th year at SMU where she taught studio art, color theory and art history. Her work has been exhibited in museums and galleries both nationally and abroad, but her impact on the Dallas art community is one so great, we may never know the extent of its reach. Of her work, Vernon has said, "A part of my work has always been organization and analysis. Structures suggested themselves from the placement of objects in rooms, from works of art, and from the tangles of landscape. Underlying any image is a geometric structure. And another part of my work has been that of seeking the ideas, intents, desires, wit, and experience of a place - the genius loci. I have tried to show how the vegetative landscape regards itself. If form, for a poet, can be both structure and essence, it can be so for a painter."

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