Portrait of the Artist

Listing No: 6198

Other Images

  • Curran recto framed.jpg
  • Curran sig det recto.jpg
  • curran self portart verso.jpg

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Please have the item listing number on hand when you call. This artwork's listing number is: 6198

Artwork Info

FAE Listing No:
Charles Courtney Curran (1861-1942)
Portrait of the Artist
Date of Work:
CHARLES C. CURRAN / portrait of the artist. NA / 1934
Signature Notes:
at lower right
Where Produced:
New York, NY, USA

Artwork Medium

Sub Type:
on Masonite Panel

Artwork Size & Weight

30 x 25 in.
Outer Dimensions:

Artwork Surface


Artwork Condition

Very good. May need professional cleaning as there is no evidence it has been cleaned since it was painted.

Artwork Provenance

Succession: Charles C. Curran, Emily Currin Liang, Art Liang & Glenna Liang, to present owner

About this Piece

The verso is inscribed: "356-3 / C.C.C."

This is a self-portrait of Curran painted in 1934. The painting on the easel suggests he is in his Cragsmoor, NY studio, and that its subject matter and style are what he wanted to be remembered for as an artist.

About the Artist

Charles Courtney Curran

From Wikipedia, the free encyclopedia

"Curran was born in Hartford, Kentucky in February, 1861] where his father taught school. A few months later after the beginning of the Civil War, the family left there and returned to Ohio, eventually settling in Sandusky on the shores of Lake Erie where the elder Curran served as superintendent of schools.

Charles Curran showed an early interest and aptitude for art, and in 1881 went to Cincinnati to study at the McMicken School (later the Fine Arts Academy of Cincinnati). He stayed there only a year before going to New York to study at the National Academy of Design and the Art Students League. Many of the pictures he created during this period featured young attractive working class women engaged in a variety of tasks.

One was particularly noteworthy: Breezy Day (1887, collection of Pennsylvania Academy of the Fine Arts) and won the Third Hallgarten Prize for Oils from the NAD in 1888. Shortly thereafter Curran and his young bride Grace left the United States to study in Paris, the center of the art world. On a more personal note, the Currans' first child Louis was born while the couple lived in Paris.

After two and half years abroad, the young family returned to the United States in June, 1891. For the next ten years Curran divided his time between New York where the couple had an apartment and Curran maintained a studio, and Ohio where they had extended family and spent most summers. In 1903 the Currans visited the summer arts colony of Cragsmoor for the first time. Located in the scenic Shawangunk Mountains about 100 miles northwest of New York City, the spectacular scenery and native flora inspired Curran to build a summer home there. He died in New York City in 1942.


While in Paris Curran enrolled at the Académie Julian where he began to concentrate on new subject matter and experimented with a variety of painting styles. Many of his pictures from this time were painted outdoors en plein air and features well dressed modern women enjoying a variety of leisure activities. Two pictures from this time spent in the French capital are In the Luxembourg (Garden) (1889, collection of Terra Foundation for American Art) and Afternoon in the Cluny Garden, Paris (1889, collection of The Fine Arts Museums of San Francisco). Curran also showed three of his pictures at the Paris Salons.

There Curran often used family members as models when he painted on the shores of Lake Erie, experimenting with a variety of artistic styles including impressionism, symbolism, tonalism and naturalism.

After the Currans visited the summer arts colony of Cragsmoor, the couple and their family would summer at Cragsmoor for the next forty years, and Curran would create some of his best known paintings in the vicinity. They feature young attractive girls dressed in white or pastel colors posed in brilliant sunshine. Two examples of these pictures are On the Heights (1909, collection of the Brooklyn Museum) and Hilltop Walk (1927, collection of Sheldon Museum of Art, University of Nebraska, Lincoln). Although Curran continued to paint until shortly before his death, he never accepted or practiced newer artistic styles that emerged in the U.S. after World War I. He remained active with a number of arts organizations, especially the National Academy of Design where he served as secretary for fifteen years. He also became a successful portrait artist after 1920. In addition, Curran and his wife were avid travelers, visiting Europe at least five times and even mainland China in 1936.


Charles Curran's work is represented in numerous museum collections, and his outdoor paintings of youthful women have remained popular with individual collectors. It has been estimated that he produced more than 1500 pictures during his career. Besides oil paintings, these include watercolors and numerous illustrations for magazines in both color and black and white."

Quote from Art Across America, The East and the Mid-Atlantic, by William H. Gerdts

"Charles Courtney Curran was undoubtedly the most renowned of this second generation [of permanent artists at Cragsmoor, an art colony in the Shawangunk Mountains of New York]. He specialized in rendering lovely women out-of-doors, sometimes in floral settings and more often set high upon cliffs, silhouetted against an expanse of bright blue sky. These later works--done with greater painterly freedom and a richer, more experimental palette allied to Impressionism-are the result of his residence in and fascination with Cragsmoor, which he discovered as TDellenbaugh's guest in 1903. The following summer Curran began his regular residence in the colony, and in 1910 he completed the house he built there. Curran was one of the last of the Cragsmoor colonists to remain in the late 1930's."

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