Interior with Figures

Listing No: 6142

Other Images

  • CHUBO-23124 interior with figures a by BB.JPG
  • CHUBO-23124 interior with figures b by BB.JPG
  • CHUBO-23124 interior with figures c by BB.JPG
  • CHUBO-23124 interior with figures e by BB.JPG
  • CHUBO-23124 interior with figures d by BB+.JPG

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Offered By

Valley House Gallery

Dallas, TX

Valley House Gallery

6616 Spring Valley Road

Dallas, TX 75254

972-239-2441
gallery@valleyhouse.com

Please have the item listing number on hand when you call. This artwork's listing number is: 6142

Artwork Info

FAE Listing No:
6142
Artist:
Otis Huband (1933-)
Title:
Interior with Figures
Date of Work:
1996
Signature:
"Otis 96" at upper right
Where Produced:
Houston, Texas

Artwork Medium

Type:
Painting
Medium:
Oil
Support:
on Canvas

Artwork Size & Weight

Primary:
48 x 36 in.

Artwork Condition

Condition:
Recto: Very good condition Verso: The canvas has spotty age-related areas of discoloration overall.

Artwork Provenance

Provenance:
This painting came directly from the artist.

About this Piece

In the 80’s and 90’s Huband’s work shifted onto a less ridged and more free form presentation. Huband seemed to be inspired by the fabric, plant, and figure forms of artists like Matisse and became more about pattern than fully realized three-dimensional form. His palette, in turn, became brighter and more exuberant.

About the Artist

Artist Statement

I am an artist who works from the inside out rather than from the outside in. I do not try to duplicate reality, but to interpret what I see and create a separate, new and personal reality.

Both subject and style of my work evolve from the manipulation of the materials from which it is made and is subject to radical changes throughout its evolution.

A painting is begun with no prior plans or ideas but rather to find out what will reveal itself once I am involved with it.

I believe in the physical uniqueness of a work of art as separate from what it represents, if anything. In my opinion a painting of an apple should not look like an apple but like a painting of an apple. Thereby insisting on the painting being a separate reality and not a reproduction or copy.

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