June Day on the Mountain

Listing No: 603

Other Images

  • ECURC-18706 e signature by BB.jpg
  • ECURC-18706 verso by BB.jpg
  • ECURC-18706 verso close up by BB.jpg
  • ECURC-18706 with frame by BB.jpg

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Please have the item listing number on hand when you call. This artwork's listing number is: 603

Artwork Info

FAE Listing No:
603
Artist:
Charles Courtney Curran (1861-1942)
Title:
June Day on the Mountain
Date of Work:
1942
Signature:
Charles C. Curran, N.A. / 1942
Signature Notes:
at lower right
Where Produced:
Cragsmoor, New York, NY, USA
Presentation:
Framed

Artwork Medium

Type:
Painting
Sub Type:
Easel
Medium:
Oil
Support:
on Canvas

Artwork Size & Weight

Primary:
36 x 48 in.
Outer Dimensions:
42.5 x 54.5 in. (Frame Outer Dimension)

Artwork Surface

Texture:
Light

Artwork Condition

Condition:
Excellent.

Artwork Provenance

Provenance:
Succession: Charles C. Curran, Emily Currin Liang, Art Liang & Glenna Liang, to present owner

About this Piece

On the verso is recorded:
Record No / 100 - 7 / C.C.C.

Curran was was the best known of the Artists who worked during the Summer in Cragsmoor, NY. This view is most likely of Bear Hill near Cragsmoor, in Ulster County, NY.


"Charles Courtney Curran was undoubtedly the most renowned of this second generation [of permanent artists at Cragsmoor, an art colony in the Shawangunk Mountains of New York]. He specialized in rendering lovely women out-of-doors, sometimes in floral settings and more often set high upon cliffs, silhouetted against an expanse of bright blue sky. These later works--done with greater painterly freedom and a richer, more experimental palette allied to Impressionism-are the result of his residence in and fascination with Cragsmoor, which he discovered as Dellenbaugh's guest in 1903. The following summer Curran began his regular residence in the colony, and in 1910 he completed the house he built there. Curran was one of the last of the Cragsmoor colonists to remain in the late 1930's."

Quote from Art Across America, The East and the Mid-Atlantic, by William H. Gerdts

About the Artist

Charles Courtney Curran

From Wikipedia, the free encyclopedia

"Curran was born in Hartford, Kentucky in February, 1861] where his father taught school. A few months later after the beginning of the Civil War, the family left there and returned to Ohio, eventually settling in Sandusky on the shores of Lake Erie where the elder Curran served as superintendent of schools.

Charles Curran showed an early interest and aptitude for art, and in 1881 went to Cincinnati to study at the McMicken School (later the Fine Arts Academy of Cincinnati). He stayed there only a year before going to New York to study at the National Academy of Design and the Art Students League. Many of the pictures he created during this period featured young attractive working class women engaged in a variety of tasks.

One was particularly noteworthy: Breezy Day (1887, collection of Pennsylvania Academy of the Fine Arts) and won the Third Hallgarten Prize for Oils from the NAD in 1888. Shortly thereafter Curran and his young bride Grace left the United States to study in Paris, the center of the art world. On a more personal note, the Currans' first child Louis was born while the couple lived in Paris.

After two and half years abroad, the young family returned to the United States in June, 1891. For the next ten years Curran divided his time between New York where the couple had an apartment and Curran maintained a studio, and Ohio where they had extended family and spent most summers. In 1903 the Currans visited the summer arts colony of Cragsmoor for the first time. Located in the scenic Shawangunk Mountains about 100 miles northwest of New York City, the spectacular scenery and native flora inspired Curran to build a summer home there. He died in New York City in 1942.

Career:

While in Paris Curran enrolled at the Académie Julian where he began to concentrate on new subject matter and experimented with a variety of painting styles. Many of his pictures from this time were painted outdoors en plein air and features well dressed modern women enjoying a variety of leisure activities. Two pictures from this time spent in the French capital are In the Luxembourg (Garden) (1889, collection of Terra Foundation for American Art) and Afternoon in the Cluny Garden, Paris (1889, collection of The Fine Arts Museums of San Francisco). Curran also showed three of his pictures at the Paris Salons.

There Curran often used family members as models when he painted on the shores of Lake Erie, experimenting with a variety of artistic styles including impressionism, symbolism, tonalism and naturalism.

After the Currans visited the summer arts colony of Cragsmoor, the couple and their family would summer at Cragsmoor for the next forty years, and Curran would create some of his best known paintings in the vicinity. They feature young attractive girls dressed in white or pastel colors posed in brilliant sunshine. Two examples of these pictures are On the Heights (1909, collection of the Brooklyn Museum) and Hilltop Walk (1927, collection of Sheldon Museum of Art, University of Nebraska, Lincoln). Although Curran continued to paint until shortly before his death, he never accepted or practiced newer artistic styles that emerged in the U.S. after World War I. He remained active with a number of arts organizations, especially the National Academy of Design where he served as secretary for fifteen years. He also became a successful portrait artist after 1920. In addition, Curran and his wife were avid travelers, visiting Europe at least five times and even mainland China in 1936.

Works:

Charles Curran's work is represented in numerous museum collections, and his outdoor paintings of youthful women have remained popular with individual collectors. It has been estimated that he produced more than 1500 pictures during his career. Besides oil paintings, these include watercolors and numerous illustrations for magazines in both color and black and white."
___

Quote from Art Across America, The East and the Mid-Atlantic, by William H. Gerdts

"Charles Courtney Curran was undoubtedly the most renowned of this second generation [of permanent artists at Cragsmoor, an art colony in the Shawangunk Mountains of New York]. He specialized in rendering lovely women out-of-doors, sometimes in floral settings and more often set high upon cliffs, silhouetted against an expanse of bright blue sky. These later works--done with greater painterly freedom and a richer, more experimental palette allied to Impressionism-are the result of his residence in and fascination with Cragsmoor, which he discovered as TDellenbaugh's guest in 1903. The following summer Curran began his regular residence in the colony, and in 1910 he completed the house he built there. Curran was one of the last of the Cragsmoor colonists to remain in the late 1930's."

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