Moving Pictures #20

Listing No: 5347

Other Images

  • CSODE-23214 a by BB.JPG
  • CSODE-23214 b by BB.JPG

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Valley House Gallery

Dallas, TX

Valley House Gallery

6616 Spring Valley Road

Dallas, TX 75254

972-239-2441
gallery@valleyhouse.com

Please have the item listing number on hand when you call. This artwork's listing number is: 5347

Artwork Info

FAE Listing No:
5347
Artist:
Ellen Soderquist (1945-)
Title:
Moving Pictures #20
Date of Work:
1984
Signature:
"Soderquist © 84" at lower center
Where Produced:
Dallas, Texas
Presentation:
Matted - Overmat

Artwork Medium

Type:
Drawing
Medium:
Graphite
Support:
on Paper
Medium Notes:
graphite on Herculene

Artwork Size & Weight

Primary:
7 x 6 in. (Sight Size)
Outer Dimensions:
16 x 14 in. (Mat Outer Dimension)

Artwork Condition

Condition:
Excellent

Artwork Provenance

Provenance:
This artwork comes directly from the artist. 1985 - DWG Gallery, Dallas, Texas

About this Piece

About the Artist

Ellen Soderquist

Artist’s Statement

Since 1979 I have been a studio artist, a teacher of life drawing and an advocate for
the nude in contemporary art. As an artist, l create intelligent and sensuous graphite
drawings of the human body. The nude has been a constant in my work since 1963; it is
my art form; and drawing is the primary technique for my expression of ideas. As a
teacher of life drawing, l advocate that my students learn the role of the nude in the
history of art and that they communicate their ideas about humanity through their work.
As a lecturer and an author, I bring the complex relevance of the unclothed human body
to the consciousness of contemporary culture.

In my freshman drawing class at SMU, we were taught life drawing as a discipline;
however, l was aware that the nude meant much more than that to me. As I laid down
the stick of charcoal after making my first gesture drawing of a nude model, I was
hooked. There was, in the flurry of charcoal on the surface of the newsprint, Somebody
looking back at me. After l discovered Kenneth Clark’s book, "The Nude: A Search for
Ideal Form," in which he stated that the nude is “not the subject of art, but a form of art” I
worked for decades to develop a technique that begins with a mass or scribble gesture
drawing that moves through abstracted forms to a tangible essence of humanity. In
numerous series of artwork, l have pursued a conceptual itinerary that spans the gamut
of human emotions and relationships and l have explored contemporary attitudes about
the nude as well as those of other cultures throughout the history of art.

Recently a reviewer described my drawings as “highly developed…elegant and
provocative." I strive to create an individual who is present for the viewer.

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