The Green Dress

Listing No: 3360

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  • Curran green dress verso.jpg
  • curran green dress detail verso.jpg

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Please have the item listing number on hand when you call. This artwork's listing number is: 3360

Artwork Info

FAE Listing No:
Charles Courtney Curran (1861-1942)
The Green Dress
Date of Work:
The Green Dress / Charles C. Curran, N.A. / 1930
Signature Notes:
at lower left
Where Produced:
Cragsmoor, New York, NY, USA

Artwork Medium

Sub Type:
on Canvas
Medium Notes:
oil on canvas mounted on panel

Artwork Size & Weight

30 x 40 in.
Outer Dimensions:
37.25 x 47.25 in. (Frame Outer Dimension)

Artwork Surface

Surface Reflectivity:
Even - Semi Gloss

Artwork Condition

Excellent. Painting was recently cleaned by Helen A. Houp Fine Art Conservation Inc.

Artwork Provenance

Succession: Charles C. Curran, Emily Currin Liang, Art Liang & Glenna Liang, to present owner,

About this Piece

Curran used Emily Curran Liang as the model in this painting.

In this painting, the view looks west from the southern section of Bear Hill Preserve in Cragsmoor, NY, which is in Ulster County. The notch in the distant mountain chain between the model's back and the rock is the Delaware Water Gap.

"The Green Dress" was exhibited at the National Academy of Design in 1931, and has a catalogue reference number of 236 on verso.

Written on verso: "Record No. / 236- / C.C.C! / Title The Green Dress (Bear Cliff, Ulster Co N.Y.) / By Charles C. Curran, N.A. / 39 West 67th Str. / N.Y. City." and inscribed on verso "THIS PAINTING WAS GIVEN TO ARTHUR LIANGE SPRING / 1966 / IN GRANDPA'S RECORD BOOK HE CONSIDERED / IT ONE OF HIS BEST WORKS THEREFORE / TREASURE IT ACCORDINGLY / EMILY CURRAN LIANG / & / CHI KAI (CHECKY) LIANG"

About the Artist

Charles Courtney Curran

From Wikipedia, the free encyclopedia

"Curran was born in Hartford, Kentucky in February, 1861] where his father taught school. A few months later after the beginning of the Civil War, the family left there and returned to Ohio, eventually settling in Sandusky on the shores of Lake Erie where the elder Curran served as superintendent of schools.

Charles Curran showed an early interest and aptitude for art, and in 1881 went to Cincinnati to study at the McMicken School (later the Fine Arts Academy of Cincinnati). He stayed there only a year before going to New York to study at the National Academy of Design and the Art Students League. Many of the pictures he created during this period featured young attractive working class women engaged in a variety of tasks.

One was particularly noteworthy: Breezy Day (1887, collection of Pennsylvania Academy of the Fine Arts) and won the Third Hallgarten Prize for Oils from the NAD in 1888. Shortly thereafter Curran and his young bride Grace left the United States to study in Paris, the center of the art world. On a more personal note, the Currans' first child Louis was born while the couple lived in Paris.

After two and half years abroad, the young family returned to the United States in June, 1891. For the next ten years Curran divided his time between New York where the couple had an apartment and Curran maintained a studio, and Ohio where they had extended family and spent most summers. In 1903 the Currans visited the summer arts colony of Cragsmoor for the first time. Located in the scenic Shawangunk Mountains about 100 miles northwest of New York City, the spectacular scenery and native flora inspired Curran to build a summer home there. He died in New York City in 1942.


While in Paris Curran enrolled at the Académie Julian where he began to concentrate on new subject matter and experimented with a variety of painting styles. Many of his pictures from this time were painted outdoors en plein air and features well dressed modern women enjoying a variety of leisure activities. Two pictures from this time spent in the French capital are In the Luxembourg (Garden) (1889, collection of Terra Foundation for American Art) and Afternoon in the Cluny Garden, Paris (1889, collection of The Fine Arts Museums of San Francisco). Curran also showed three of his pictures at the Paris Salons.

There Curran often used family members as models when he painted on the shores of Lake Erie, experimenting with a variety of artistic styles including impressionism, symbolism, tonalism and naturalism.

After the Currans visited the summer arts colony of Cragsmoor, the couple and their family would summer at Cragsmoor for the next forty years, and Curran would create some of his best known paintings in the vicinity. They feature young attractive girls dressed in white or pastel colors posed in brilliant sunshine. Two examples of these pictures are On the Heights (1909, collection of the Brooklyn Museum) and Hilltop Walk (1927, collection of Sheldon Museum of Art, University of Nebraska, Lincoln). Although Curran continued to paint until shortly before his death, he never accepted or practiced newer artistic styles that emerged in the U.S. after World War I. He remained active with a number of arts organizations, especially the National Academy of Design where he served as secretary for fifteen years. He also became a successful portrait artist after 1920. In addition, Curran and his wife were avid travelers, visiting Europe at least five times and even mainland China in 1936.


Charles Curran's work is represented in numerous museum collections, and his outdoor paintings of youthful women have remained popular with individual collectors. It has been estimated that he produced more than 1500 pictures during his career. Besides oil paintings, these include watercolors and numerous illustrations for magazines in both color and black and white."

Quote from Art Across America, The East and the Mid-Atlantic, by William H. Gerdts

"Charles Courtney Curran was undoubtedly the most renowned of this second generation [of permanent artists at Cragsmoor, an art colony in the Shawangunk Mountains of New York]. He specialized in rendering lovely women out-of-doors, sometimes in floral settings and more often set high upon cliffs, silhouetted against an expanse of bright blue sky. These later works--done with greater painterly freedom and a richer, more experimental palette allied to Impressionism-are the result of his residence in and fascination with Cragsmoor, which he discovered as TDellenbaugh's guest in 1903. The following summer Curran began his regular residence in the colony, and in 1910 he completed the house he built there. Curran was one of the last of the Cragsmoor colonists to remain in the late 1930's."

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